I paint what I don’t see

Marion Lachaise is a visual artist working and living in Paris. She proposes a dialectic link between seeing and being seen which interplays the body and the gaze of the viewer. Through her work, she expresses the interaction of glances between individuals captured on scenes such as the criminal court of law, in France and abroad. The gaze is experienced as a direction, an intensity, a depth. Her paintings are conceived either as ocular scenes or as scores. Her work creates an experience of movement, a subjective event of time and space. Her interest in the process of criminal hearing becomes drawings, paintings and installations combining videos, performances and texts.

She worked with Thaddaeus Ropac and with Caroline Smulders. She founded the Scopique Studio association to develop her projects, supported by private and public fundings.
Painting

eyescape

The observations made during my visits to court hearings become notes, flows and diagrams. I trace what can neither be said nor written: the Gaze and Silence of the participants. Each movement is an event. This particular time flows between past, present and future. In the studio, the drawings are the starting point for paintings in which brushstrokes, relationships of scale and rhythms progress towards a point of intersection. The painting creates visual vibrations that recompose the experience of the court hearing. The climax is a zone of concentration for the viewer's gaze.
14:53 all rise / levez-vous
acrylic on linen,
205 x 195 cm, 2024
15:59 thrursday night
oil on linen,
55 x 46 cm, 2024
16:14 thrursday night
oil on linen,
55 x 46 cm, 2024
11:22 all rise / levez-vous
acrylic on canvas,
81 x 100 cm, 2024
11:45 all rise / levez-vous
acrylic and oil on canvas,
76 x 116 cm, 2024
œilleton / peephole
acrylic and oil on canvas,
317 x 127 cm, 2022
œilleton / peephole
acrylic on canvas,
300 x 160 cm, 2022
œilleton / peephole
ink and watercolour on paper,
180 x 130 cm, 2022
œilleton / peephole
ink and watercolour on paper,
180 x 130 cm, 2022
09:00 attente / on hold
acrylic and oil on canvas,
120 x 60 cm, 2023
09:50 ça arrive / it happens
acrylic and oil on canvas,
120 x 60 cm, 2023
œilleton / peephole
oil on canvas,
120 x 60 cm, 2021
œilleton / peephole
oil on canvas,
120 x 60 cm, 2021
Painting

silent score

I go to criminal court. I sit on the public gallery. I’m focused on events. I choose a line of viewing to target the protagonists. I shift attention, identify places, roles, rituals. I translate non verbal langage into visual trajectories. The changing behavior of the participants threw the hearing and not the actual outcome of the case are what interests me. In the paintings, the use of sewing alters the structure of the fabric, just as the trajectories of the gaze alter the space.
14:23 lets drill into that
acrylic on burlap,
215 x 205 cm, 2024
14:23 lets drill into that
pencil and watercolor on paper,
28 x 21 cm, 2025
11:09 insanityornot
acrylic on linen,
195 x 195 cm, 2024
11:09 insanityornot
pencil and watercolor on paper,
28 x 21 cm, 2025
14:24 lets drill into that
acrylic on linen,
55 x 46 cm, 2025
15:27 your volteface
acrylic on linen,
90 x 99 cm, 2025
14:10-14:53 is that clear
acrylic on linen,
215 x 55 cm, 2024
14:10-14:53 is that clear
pencil and watercolor on paper,
28 x 21 cm, 2025
09:55 good morning judge
acrylic on jute,
55 x 46 cm, 2024
15:42 jurors leave
acrylic on linen,
80 x 46 cm, 2024
art on paper

the drawing eye

In July 2024, I drew at Dublin Criminal Court during a short residency at Temple Bar Gallery + Studios. I observed the differences between civil law (France) and common law (Dublin). In civil law, the procedure is inquisitorial. The president is the master of truth. Judgment is delivered by 3 professional magistrates and 6 jurors before a central court shaped as an arena. The accused is the main focal point. In common law, the procedure is adversarial. There is a duel between the defense barrister and the prosecution barrister. Judgment is rendered by a jury of 12 citizens. The jury is the master of truth. The accused stands aside.

œil pour œil / an eye for an eye

I attended a criminal trial at the Palais de Justice in Paris. Eight defendants were accused. The story was one of endless revenge. The opposing families were presentat the trial. The exhibition is conceived as a real, symbolic and sensitive journey through that case. 20 large drawings display the play of glances observed at the trial.
traveling exhibition in France,
2025-2027
art on paper

cour d'assises / criminal court

A criminal hearing is a scene where people are assigned to specific places. Some are defendants, some victims, some families. There are barristers who defend or prosecute, a judge, the jury, the witnesses and the public. In the old sense, theater is “the place where we watch”. Here, people become characters. Everything is on display. I observe the whole scenery, how judgment is constructed by the individuals present. Paradoxically, this super-exhibition reveals what cannot be seen. It’s stimulating to see the visible and the invisible exposed on the same stage. My work is about that.
la jeune fille et la boucle d'oreille / the girl and the earing
pencil, watercolour on paper,
65 x 96 cm, 2021
la jeune fille et la boucle d'oreille / the girl and the earing
pencil, watercolour on paper,
65 x 96 cm, 2021
la jeune fille et la boucle d'oreille / the girl and the earing
charcoal on paper,
96 x 63 cm, 2018
la jeune fille et la boucle d'oreille / the girl and the earing
ink, watercolour on paper,
96 x 63 cm, 2021
la fille, la mère et l'avocate / the daughter, the mother and the lawyer
pencil, watercolour on paper,
78 x 57 cm, 2014
la fille, la mère et l'avocate / the daughter, the mother and the lawyer
pencil, watercolour on paper,
78 x 57 cm, 2014
la fille, la mère et l'avocate / the daughter, the mother and the lawyer
pencil on paper,
78 x 57 cm, 2014
la fille, la mère et l'avocate / the daughter, the mother and the lawyer
pencil on paper,
78 x 57 cm, 2014
la fille, la mère et l'avocate / the daughter, the mother and the lawyer
pencil and watercolour on paper,
96 x 63 cm, 2019
la fille, la mère et l'avocate / the daughter, the mother and the lawyer
pencil and watercolour on paper,
20 x 30 cm, 2019
plaidoirie / pleading
pencil and watercolour on paper,
57 x 78 cm, 2024
plaidoirie / pleading
pencil and watercolour on paper,
57 x 78 cm, 2024
œil pour œil / an eye for an eye
pencil and watercolour on paper,
66 x 102 cm, 2024
œil pour œil / an eye for an eye
pencil and watercolour on paper,
66 x 102 cm, 2024
Play

dans l'œil du box / from the accused box

(2024, 30 min.)
From 2023 to 2025, I organized workshops with incarcerated long term sentences prisoners following the question : what did you see at your trial ? I wrote a polyphonic text for a five-voice choir in which I performed solo or with the prisoners Catherine, Arlette, Xavier, Jules, Benjamin and actors Mounira Barbouch and Christophe Collin.
centre pénitentiaire sud-francilien
with Catherine, Arlette, Xavier, Benjamin, Jules
video

chœur captif avec Juliette Binoche / choir of women prisoners

(2021, 7 min.)
I directed the actress Juliette Binoche to embody the voices of women prisoners. Adaptation of the text with the contribution of Corinne Rondeau.
Corinne Rondeau is a lecturer in aesthetics and art studies, a critic and a contributor to France Culture.
video

antiportraits

(2018, 40 min. / 2011-15, 16 min.)
A portrait Device combining sculptures, videos, texts.
Antiportraits, Réau (2018, 40 min.) and Antiportraits, Clairvaux (2011-2015, 16 min.) With long-term female and male prisoners, We questionned portraits looking for one freed from model ressemblance and penal identity.
with Bernadette, Krysia, Babou, Marixol, Djanet, Mya, Ingrid, Coco
with Djamel, Jean-Pierre, François, Nemo, Akim, Stanley, Dumé
prize : A project, a philanthropist 2018 with Paris’s Bar, delivered by Françoise Nyssen, former minister of Culture.
book

l'œil de Clairvaux / the eye of Clairvaux

(2015) a device in augmented reality
TransPhotographicPress edition. Preface Christiane Taubira, Texts Philippe Artières, Sonya Faure, Jean-François Leroux-Dhuys, Olivier Marboeuf, Denis Salas, Interactive design Julie Stephen Chheng.
[...] With her video portraits that jump from the book to our phone screens, Marion Lachaise and the prisoners of Clairvaux dig tunnels, weave sheets as ropes, charter helicopters so that the words of the inmates can reach us [...].
Sonya Faure, journalist for the newspaperLibération
prize : Beau Livre at the 2016 book fair of Paris’s Bar, ex-aequo with «Murmures pour la jeunesse» de Christiane Taubira.
photography

œilleton / peephole

(2011-2018)
inkjet on photopaper,
2011-2018
inkjet on photopaper,
2011-2018
photography

ostrakon Loïe Fuller

[...] Marion Lachaise proposes another adventure turning the clock backwards. With a keen eye, I listened to her talk about the “silent beauty of washed-up objects”. For several years, she has been collecting oyster concretions on the Atlantic coast, the place of her childhood.[...]
in Silencio, Corinne Rondeau, 2020
inkjet on photopaper,
2019
cover for the book of Marie Silkerberg Hjärta, jägare,
Albert Bonniers edition,
march 2025
Cadre en Seine Labo,
Paris,
2023
exhibition view,
APDV Centre d'Art, Paris
2024

bio

Marion Lachaise studied at the Villa Arson, the international school of Art and Research in Nice. She completed a postgraduate course at the Ateliers 63 in Haarlem (Nederlands). Among her exhibitions, she has been invited to exhibit at Galerie Thaddaeus Ropac Salzburg and Paris, Galerie Tanit Munich, Galerie Anton Weller Paris, Zoo Galerie Nantes ; Centre Régional d’Art Contemporain Languedoc-Roussillon, Centre d’Art Contemporain de Vilnius Lithuania, Shed Im Eisen Werk Zurich, Espace Khiasma Les Lilas, Musée Commun Paris, Musée des Confluences Lyon, Musée de la Croix Rouge et du Croissant Rouge Geneva, La Maison Rouge Paris, le théâtre Paris-Villette, APDV Centre d’Art Paris.

She collaborated with the former Minister of Justice Christiane Taubira, the actress Juliette Binoche, the curator Ami Barak, the art critic Corinne Rondeau, the Interactive designer Julie Stephen Cheng, the cinema operator Isabelle Razavet, the sounds-engineers Guillaume Valeix et Line Multari, the composer Abril Padilla, the pianiofortist Florent Albrecht...